Dave Payling graduated from an MSc in Music Technology from York University in 2000 after previously teaching Design and Technology in schools for a number of years. This allowed him to gain employment at Staffordshire University and focus his teaching towards Music Technology, which had always been an interest and passion. He played bass, guitar and drums in various bands in Sheffield, South Yorkshire, since leaving secondary school and made recordings at local studios, performed at local venues and did live sound engineering for other bands. As technology developed, he became increasingly interested in computer based production and investigated how it was possible to achieve high quality productions when moving away from the safety of traditional recording equipment. Alongside his teaching, he studied part time towards a PhD in Visual Music Composition. This involved creation of a portfolio of audio visual compositions accompanied by a thesis documenting his creative processes and influences. Dave continues to use a combination of these musical production and audio visual composition skills to create high quality multimedia and inform future research and teaching.
PhD (Film, Media and Music) Staffordshire University 2014. Visual Music Composition with Electronic Sound and Video
MSc (Music Technology) York University. 2001
PGCE (Design and Technology) Sheffield Hallam University. 1997
BEng (Hons) First Class Honors in Electronic Systems and Control Engineering. Sheffield Hallam University. 1993
Digital audio production techniques and working in the box
Electronic music composition
Audio mastering using hardware and software
Surround sound mastering and authoring
Digital video production techniques and animation
Research and Interests
Dave’s research is centered on audio visual composition and the intersection between visual music and electroacoustic composition. He works mainly with abstract visual and sound materials and explore the relationships that develop when they are combined. This is primarily a practise based pursuit manipulating and transforming multimedia materials with numerous technologies to create finished compositions. He is also interested in investigating how more popular musical genres can be combined with electroacoustic practises and visual music.
Lumia and Visual Music. Using Thomas Wilfred’s Lumia Factors to Inform Audiovisual Composition. (2017) eContact! Online Journal for Electroacoustic Practices. (Journal Article)
Diffraction (Visual Music Composition), 3rd May, 2012.
NoiseFloor Festival. Staffordshire University. Stafford, UK, 20-22nd September, 2013.
flEXiff, First and Last Experimental Film Festival. Sydney, Australia
Space Movement Sound (Visual Music Composition), 16th November, 2011.
XVIII International Festival of Electroacoustic Music – Meeting Point. Electroacoustic Music Association of Spain. Valencia, Spain, 3rd May 2012.
NoiseFloor Festival, Staffordshire University. Stafford. UK (Paper Presentation)
Theravada Colour Morph (Visual Music Composition), 16th January, 2010.
NoiseFloor Festival. Staffordshire University. Stafford. UK, 20-21st February, 2010.
MANTIS FESTIVAL. Martin Harris Centre, University of Manchester, UK, 6th November, 2010.
Soundings – International Festival of Sonic Art. Reid Concert Hall, Bristol Square, Edinburgh, 30th October, 2011.
Seeing Sound Visual Music Symposium. Bath Spa University. UK.
MAX/MSP and Jitter.
Programming for real time audio and video applications.
Audio Visual composition and Visual Music
Audio Mastering in Surround
Electronics for Music Technologists